{"id":15438,"date":"2025-09-11T14:13:41","date_gmt":"2025-09-11T13:13:41","guid":{"rendered":"https:\/\/www.field-grey.com\/blog\/?p=15438"},"modified":"2025-09-11T14:40:00","modified_gmt":"2025-09-11T13:40:00","slug":"behind-the-scenes-of-our-latest-studio-shoot","status":"publish","type":"post","link":"https:\/\/www.field-grey.com\/blog\/behind-the-scenes-of-our-latest-studio-shoot\/","title":{"rendered":"Behind the scenes of our latest studio shoot"},"content":{"rendered":"\n

When we started planning our latest shoot<\/a>, I wanted to create something that felt elevated and contemporary, but also true to what Field Grey<\/a> does best: designing beautifully made, versatile pieces that work hard across different settings.<\/p>\n\n\n\n

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This one was particularly exciting because we were showcasing two sides of what we do \u2014 the Readywear<\/a> collection, with its adaptable, off-the-peg pieces, and a selection of bespoke uniforms we\u2019ve created for clients, including The Sloane Club<\/a>, Langdale<\/a>, and SH\u014cT\u014c and \u0100K\u0112DO<\/a>.<\/p>\n\n\n\n

With Readywear, it\u2019s always been about creating a collection that feels versatile but also exciting \u2013 pieces that work hard for our clients but also appeal to those punters who just love what we\u2019re doing and want to get their hands on the drops.<\/p>\n\n\n\n

For this shoot, I wanted to get that across visually: the lifestyle side of Readywear, alongside the personality and detail that goes into the bespoke designs we create for individual brands.<\/p>\n\n\n\n

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We set out to create something more elevated than a traditional lookbook. The idea was to capture the attitude and energy behind the collection \u2014 movement, texture, personality \u2014 without over-styling or clutter. The set was deliberately pared back so the focus of the shoot stayed on the pieces themselves: their shape, fabric and detail.<\/p>\n\n\n\n

I knew straight away that I wanted to work with stylist Gareth Scourfield<\/a> again. We\u2019ve collaborated several times over the years, and he has such a refined, contemporary eye. Gareth instinctively gets what Readywear is about and how we want the clothes to be worn, so he was the perfect person to help bring this shoot to life.<\/p>\n\n\n\n

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Discovering the world of uniforms<\/strong><\/p>\n\n\n\n

Gareth first worked with us several years ago, but he says this shoot gave him a much deeper appreciation of the creativity and detail behind uniform design:<\/p>\n\n\n\n

\u201cI\u2019m a friend of Janice\u2019s, but she also went to college with my wife, Zoe, so we\u2019ve known each other for a long time. I first worked with her five or six years ago, when she photographed me in some of the Readywear pieces for a portfolio. But it wasn\u2019t until this shoot \u2013 and actually sitting down with her to talk about it \u2013 that I started to get really fascinated with this whole area of uniform and workwear.\u201d <\/p>\n\n\n\n

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\u201dI suddenly realised that every bar, every pub, every hotel has staff in a uniform \u2013 and it\u2019s all about conveying an image, creating a look, setting a tone for the guest experience. I was like, \u2018Oh my God, who else does this? Who\u2019s the competition?\u2019\u201d<\/p>\n\n\n\n

Now, he says, he notices uniforms everywhere:<\/p>\n\n\n\n

\u201cWhenever I go into a hotel or a smart restaurant, I\u2019m immediately looking at what the staff are wearing. From chefs to front of house to the concierge \u2013 they\u2019re all different, and it\u2019s fascinating.\u201d<\/p>\n\n\n\n

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An editorial approach<\/strong><\/p>\n\n\n\n

From the start, Gareth and I wanted to move away from the traditional approach to workwear photography and create something that felt more dynamic and aspirational.<\/p>\n\n\n\n

\u201cWe treated it more like an editorial shoot than an e-comm one,\u201d Gareth says. \u201cI wanted to avoid anything too catalogue-y. Uniform can be a bit of a loaded word \u2013 it makes people think of fast food chains or something stiff and generic. But these pieces had personality. \u00a0<\/p>\n\n\n\n

\u201cJanice needed shots for international clients who couldn\u2019t see the uniforms in situ, so the shoot had to do a lot. We used three backgrounds to give different moods but kept things pared back.\u201d<\/p>\n\n\n\n

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\u201cWe played with movement, shape, crops and lighting as if it were an editorial. But We didn\u2019t over-style or over-light anything. The clothes did all the work.<\/p>\n\n\n\n

\u201cWhat was interesting was that each garment stood alone as a beautiful piece of clothing. Even the male model was saying, \u2018Can I buy these trousers? They feel so great.\u2019 And the female model was the same with the dresses \u2013 she said, \u2018I\u2019d totally go out in this.\u2019<\/p>\n\n\n\n

\u201cThat\u2019s what made it so nice, putting the collection into a studio setting with two models who looked fantastic in the clothes. It allowed us to look at the pieces from both a style perspective and a functional one.\u201d<\/p>\n\n\n\n

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Standout pieces<\/strong><\/p>\n\n\n\n

\u201cThe performance trousers really stood out,\u201d Gareth says. \u201cI\u2019d seen a sample before, but it wasn\u2019t until the models put them on and moved around that you could really see how well they were designed. There\u2019s so much thought in the practical details \u2013 stress points at the bum and knees, adjustable hems \u2013 but they still looked great styled with a T-shirt and trainers.\u201d<\/p>\n\n\n\n

He was equally taken with some of the newer pieces we were trialling, including designs created for The Sloane Club:<\/p>\n\n\n\n

\u201cThose camel trousers with the side adjusters and double pleats \u2013 absolutely something I\u2019d wear,\u201d he says. \u201cAnd the ticking stripe shirts, the bib fronts, the collarless styles \u2013 really strong. The dresses too \u2013 they\u2019d genuinely sit comfortably in someone\u2019s everyday wardrobe.\u201d<\/p>\n\n\n\n

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Details that matter<\/strong><\/p>\n\n\n\n

What stood out for Gareth \u2013 and for us \u2013 was just how much how the quality and personality of each piece came through, even out of context:<\/p>\n\n\n\n

\u201cThe fabrics, the finishes, the cuts \u2013 everything felt thoughtful. Every piece had its own point of view, from the Langdale hotel<\/a> right through to the Japanese restaurants we worked with. And I started to see how Janice and her team work: there are so many clever little touches \u2013 like using a particular lining colour because it ties into the interiors of a hotel. It\u2019s not just branding; it\u2019s about creating something cohesive and considered.\u201d<\/p>\n\n\n

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Adaptable by design<\/strong><\/p>\n\n\n\n

This adaptability is exactly what we wanted the shoot to capture. A single piece \u2013 a shirt, a jacket, a pair of trousers \u2013 should work seamlessly across environments, from a Japanese restaurant to a private members\u2019 club to a caf\u00e9.<\/p>\n\n\n\n

Gareth says that\u2019s what struck him most when working on the shoot:<\/p>\n\n\n\n

\u201cI found it really interesting. There\u2019s a Scandinavian minimalism to Field Grey\u2019s Readywear that makes it feel elevated but still very wearable. The pieces have point of view but they\u2019re adaptable. It\u2019s not your standard \u2019uniform\u2019 look \u2013 there\u2019s nothing boxy or stiff about them.\u201d<\/p>\n\n\n\n

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\u201dThen you\u2019ve got the bespoke side of what Field Grey does \u2014 these really limited runs, carefully thought through \u2014 and there are all these little quirks and stories behind the pieces. All those details make the clothes feel considered and connected to the spaces they\u2019re made for.\u201d<\/p>\n\n\n\n

That balance, between versatility and individuality, design and practicality, runs through everything we do at Field Grey. Whether it\u2019s a Readywear piece or a one-off bespoke design, our goal is the same: to create clothing that works hard, feels great to wear and reflects the unique identity of the spaces it belongs to.<\/p>\n","protected":false},"excerpt":{"rendered":"

When we started planning our latest shoot, I wanted to create something that felt elevated and contemporary, but also true to what Field Grey does best: designing beautifully made, versatile pieces that work hard across different settings. This one was particularly exciting because we were showcasing two sides of what we do \u2014 the Readywear […]<\/p>\n","protected":false},"author":1,"featured_media":15449,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"iawp_total_views":27,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-field-notes"],"yoast_head":"\nBehind the scenes of our latest studio shoot - Field Notes | Blog and News | Field Grey<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.field-grey.com\/blog\/behind-the-scenes-of-our-latest-studio-shoot\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Behind the scenes of our latest studio shoot - Field Notes | Blog and News | Field Grey\" \/>\n<meta property=\"og:description\" content=\"When we started planning our latest shoot, I wanted to create something that felt elevated and contemporary, but also true to what Field Grey does best: designing beautifully made, versatile pieces that work hard across different settings. 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