{"id":9256,"date":"2016-10-28T17:34:05","date_gmt":"2016-10-28T16:34:05","guid":{"rendered":"https:\/\/www.field-grey.com\/blog\/?p=9256"},"modified":"2016-10-28T17:34:05","modified_gmt":"2016-10-28T16:34:05","slug":"neon-the-charged-line-at-grundy-art-gallery-blackpool","status":"publish","type":"post","link":"https:\/\/www.field-grey.com\/blog\/neon-the-charged-line-at-grundy-art-gallery-blackpool\/","title":{"rendered":"Neon: The Charged Line at Grundy Art Gallery, Blackpool"},"content":{"rendered":"<p>Oh we do like to be beside the seaside. On a recent Field Trip to Blackpool, the Las Vegas of the North, we were delighted to stumble upon <em>Neon: The Charged Line<\/em>, a new exhibition at the <a href=\"http:\/\/www.grundyartgallery.com\/\" target=\"_blank\">Grundy Art Gallery<\/a> that celebrates all things neon. <\/p>\n<figure id=\"attachment_9261\" aria-describedby=\"caption-attachment-9261\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_535.jpg\" alt=\"Neon: The Charged Line installation view grundy art gallery blackpool \" width=\"600\" height=\"400\" class=\"size-full wp-image-9261\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_535.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_535-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9261\" class=\"wp-caption-text\">Neon: The Charged Line installation view<\/figcaption><\/figure>\n<p>Where better to host an exhibition about the power and portrayal of light than Blackpool? Home to the world famous Illuminations celebration that occurs each August-November, Blackpool has a long relationship with electrical light displays. <em>Neon: The Changed Line<\/em>, uses a slightly different focus, bringing together works of art produced in neon lights, from world-renowned artists including Martin Creed, Tracey Emin and Prem Sahib. <\/p>\n<figure id=\"attachment_9262\" aria-describedby=\"caption-attachment-9262\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_548.jpg\" alt=\"prem sahib grundy art gallery blackpool \" width=\"600\" height=\"400\" class=\"size-full wp-image-9262\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_548.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_548-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9262\" class=\"wp-caption-text\">Prem Sahib<\/figcaption><\/figure>\n<p>The exhibition explores how artists have worked with neon from the 1960s until now. In this comprehensive survey, those famous for neon works (like Emin and Creed) are displayed alongside works by artists less known for the medium. The focus is on light to be seen, rather than to illuminate, whether through text or illustration. <\/p>\n<p>Our favourite pieces include:<\/p>\n<figure id=\"attachment_9264\" aria-describedby=\"caption-attachment-9264\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_518.jpg\" alt=\"Sock Pimp (2006) by David Batchelor \" width=\"600\" height=\"400\" class=\"size-full wp-image-9264\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_518.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_518-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9264\" class=\"wp-caption-text\">Sock Pimp (2006) by David Batchelor<\/figcaption><\/figure>\n<figure id=\"attachment_9265\" aria-describedby=\"caption-attachment-9265\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_526.jpg\" alt=\"Neon (1965) by Joseph Kosuth\" width=\"600\" height=\"400\" class=\"size-full wp-image-9265\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_526.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_526-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9265\" class=\"wp-caption-text\">Neon (1965) by Joseph Kosuth<\/figcaption><\/figure>\n<figure id=\"attachment_9266\" aria-describedby=\"caption-attachment-9266\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_530.jpg\" alt=\"I know, I know, I know (2002) by Tracey Emin\" width=\"600\" height=\"400\" class=\"size-full wp-image-9266\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_530.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_530-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9266\" class=\"wp-caption-text\">I know, I know, I know (2002) by Tracey Emin<\/figcaption><\/figure>\n<figure id=\"attachment_9267\" aria-describedby=\"caption-attachment-9267\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_534.jpg\" alt=\"Green Pimp (2006) by David Batchelor\" width=\"600\" height=\"400\" class=\"size-full wp-image-9267\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_534.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_534-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9267\" class=\"wp-caption-text\">Green Pimp (2006) by David Batchelor<\/figcaption><\/figure>\n<figure id=\"attachment_9268\" aria-describedby=\"caption-attachment-9268\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_541.jpg\" alt=\"2012 (2008) by Mai-Thu Perret\" width=\"600\" height=\"400\" class=\"size-full wp-image-9268\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_541.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_541-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9268\" class=\"wp-caption-text\">2012 (2008) by Mai-Thu Perret<\/figcaption><\/figure>\n<figure id=\"attachment_9269\" aria-describedby=\"caption-attachment-9269\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_543.jpg\" alt=\"Pictogram II (1980) by Keith Sonnier\" width=\"600\" height=\"400\" class=\"size-full wp-image-9269\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_543.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_543-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9269\" class=\"wp-caption-text\">Pictogram II (1980) by Keith Sonnier<\/figcaption><\/figure>\n<figure id=\"attachment_9270\" aria-describedby=\"caption-attachment-9270\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_557.jpg\" alt=\"Verb (2013) by Eddie Peake\" width=\"600\" height=\"400\" class=\"size-full wp-image-9270\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_557.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_557-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9270\" class=\"wp-caption-text\">Verb (2013) by Eddie Peake<\/figcaption><\/figure>\n<figure id=\"attachment_9271\" aria-describedby=\"caption-attachment-9271\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_560.jpg\" alt=\"TIX3 (1994) by Cerith Wyn Evans\" width=\"600\" height=\"400\" class=\"size-full wp-image-9271\" srcset=\"https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_560.jpg 600w, https:\/\/www.field-grey.com\/blog\/wp-content\/uploads\/2016\/10\/MattBramford_Blackpool_09_16_560-400x267.jpg 400w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-9271\" class=\"wp-caption-text\">TIX3 (1994) by Cerith Wyn Evans<\/figcaption><\/figure>\n<p><em>The exhibition runs until 7 January 2017. All photography by Matt Bramford for Field Grey<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oh we do like to be beside the seaside. On a recent Field Trip to Blackpool, the Las Vegas of the North, we were delighted to stumble upon Neon: The Charged Line, a new exhibition at the Grundy Art Gallery that celebrates all things neon. Where better to host an exhibition about the power and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9259,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"iawp_total_views":13,"footnotes":""},"categories":[1308],"tags":[2149,2247,2251,2250,2248,2246,1643,2249],"class_list":["post-9256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-art-2","tag-blackpool","tag-david-batchelor","tag-eddie-peake","tag-grundy-art-gallery","tag-neon","tag-prem-sahib","tag-tracey-emin"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Neon: The Charged Line at Grundy Art Gallery, Blackpool - Field Notes | Blog and News | Field Grey<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/field-grey.com\/blog\/neon-the-charged-line-at-grundy-art-gallery-blackpool\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Neon: The Charged Line at Grundy Art Gallery, Blackpool - Field Notes | Blog and News | Field Grey\" \/>\n<meta property=\"og:description\" content=\"Oh we do like to be beside the seaside. 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